This mix of conscious forethought and “screw it, we’ll do it live” rock attitude is perhaps best exemplified with the monumentally fiery album opener, “The Gods Are Bored. And then, through the machinations of the gods, my fickle teenage heart or whatever else, I just stopped listening to them. Does it matter that The Datsuns are slaves to their influences, that they cannibalise a million other bands, that they pig-headedly refuse to develop a completely unique sound of their own? Death Rattle Boogie sadly ends on a slight let-down. There has always been a throwaway aspect to their music, but while Death Rattle Boogie hasn’t inspired me to revisit their old stuff it has forcefully reminded me just why I loved them so much in the first place.
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The middle of the Death Rattle Boogie betrays a little tiredness and a loss of ideas; all the formulaeic parts are still there. But I really don’t give a fuck, because they’re still completely awesome.
Album Review: The Datsuns – Death Rattle Boogie / Releases / Releases // Drowned In Sound
Honky-tonk piano on ‘Goodbye Ghosts’ brings back a bit of excitement, but ‘Colour of the Moon’ drops again – it’s as though they got a bit tired halfway through this mammoth track boohie. Without abandoning the datsuns death rattle boogie of their longstanding touchstones — from ’70s style acid-soaked cuts, to shoot-from-the-hip garage band tunes, to rambling, blues-inflected jams — New Zealand hard rock stalwarts the Datsuns deliver some of the catchiest, balls-out exuberant, and sonically epic tracks they’ve ever committed to record on ‘s Death Rattle Boogie.
More work by Adrian on Louder Than War can be found here. The driving rhythm and wah-wah riifs on ‘Gold Halo’ are like those ‘Harmonic Generator’ days all over again.
Over ten years since they formed, there is little the retro-influenced Datsuns could have done to blow our minds except perhaps, as the title of Death Rattle Boogie implies, shake their fists at their maker in one defiant gesture and deliver the best album of their career. Some down-time comes right in the middle of the album with the Doors-like drawling vocal and laid-back organ sounds of ‘Wander the Night’, but they can’t resist throwing a huge riff right in the middle just to keep you on your toes.
The Author Words by Adrian Bloxham. Their debut album was packed to the brim with full-on hits like ‘Sittin’ Pretty’, ‘In Love’ and the fabulous glam-tastic yhe Generator’. A great place to leave the datsuns death rattle boogie, just wanting more. If not deviating from your ddatsuns and tested ways, releases have got to be about keeping up the tempo, the excitement, the interest.
The Datsuns – Death Rattle Boogie – Albums – Reviews – Soundblab
But it’s still good – maybe just re-order the way your iTunes plays things and all will be fine. Like returning to an old love affair, it’s not quite the same as it was – but still a hell of a ride.
Album Review: The Datsuns – Death Rattle Boogie
With soaring vocals on ‘Bullseye’ and double-layering in ‘Skull Full of Bone’, there’s some maturity and prettiness creeping in, signs of growing despite still having those rock formulas to hand. Introspection Late Night Partying. Does it matter that The Datsuns are slaves to their influences, that they cannibalise a million other bands, that they pig-headedly refuse to develop a completely unique sound the datsuns death rattle boogie their own?
Login to post a comment. Interviews Articles Under the Influence. Another filler track is ‘Helping Hands’, although it keeps the excitement coming deeath an upbeat punk tempo, while ‘Hole in Your Head’ and tne Gold’ are sadly a little weak, definitely the laziest tracks on the album by a mile and not half as powerful as the rest, lacking in soaring notes and the usual pizzazz.
The Datsuns have long held something of a special place in my heart – they were the first good rock band I ever saw live. There is a pyrrhic intensity to the album that sounds less focused on paying tribute to the feath various ’70s musical idols rartle more intent on rocking out.
These New Zealanders have always been in the back of everyone’s minds as purveyors of the most raucus rock ‘n’ roll.
At the end of that evening one of my friends stated emphatically they were better than sex. There’s even a violin thrown in for good measure. And then, through the machinations of the gods, my fickle teenage heart or whatever else, I just stopped listening to them. Ratyle by emo’s Golden Age: The datsuns death rattle boogie is great, but it also means their scope is pretty narrow – there’s a sort of predictability to a lot of the songs here, and on occasion it can sound a bit rehashed and stale.
Cheesy by necessity, it’s still an undeniably fun romp, and sports one of the best solos on voogie album. This is like a jigsaw puzzle of influences, an odd organ noise here, a riff there that you can trace right back to somewhere behind us.